Quotes From "Both Flesh And Not: Essays" By David Foster Wallace

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You have a great deal of yourself on the line, writing– your vanity is at stake. You discover a tricky thing about fiction writing; a certain amount of vanity is necessary to be able to do it all, but any vanity above that certain amount is lethal. David Foster Wallace
For reasons that are not well understood, war's codes are...
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For reasons that are not well understood, war's codes are safer for most of us than love's. David Foster Wallace
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Trite though it (used to) sound, real sexuality is about our struggles to connect with one another, to erect bridges across the chasms that separate selves. Sexuality is, finally, about imagination. Thanks to brave people's recognition of AIDS as a fact of life, we are beginning to realize that highly charged sex can take place in all sorts of ways we'd forgotten or neglected–in a conversational nuance; in a body's posture, a certain pressure in a held hand. Sex can be everywhere we are, all the time. . David Foster Wallace
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Under fun’s new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don’t want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel. Fiction becomes a weird way to countenance yourself and to tell the truth instead of being a way to escape yourself or to present yourself in a way you figure you will be maximally likable. This process is complicated and confusing and scary, and also hard work, but it turns out to be the best fun there is. The fact that you can now sustain the fun of writing only by confronting the very same unfun parts of yourself you’d first used writing to avoid or disguise is another paradox, but this one isn’t any kind of bind at all. What it is is a gift, a kind of miracle, and compared to it the reward of strangers’ affection is as dust, lint. David Foster Wallace
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Workshop Hermeticism, fiction for which the highest praise involves the words 'competent, ' 'finished, ' 'problem-free, ' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh. David Foster Wallace
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Beauty is not the goal of competitive sports, but high-level sports are a prime venue for the expression of human beauty. The relation is roughly that of courage to war. The human beauty we're talking about here is beauty of a particular type; it might be called kinetic beauty. Its power and appeal are universal. It has nothing to do with sex or cultural norms. What it seems to have to do with, really, is human beings' reconciliation with the fact of having a body. David Foster Wallace